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Running time 145 minutes Country India Language Telugu Siva (also spelt Shiva) is a 1989 Indian written and directed by in his directorial debut. Produced by Akkineni Venkat and Yarlagadda Surendra under their banners of and SS Creations, Siva starred,. The film's basic plot, adapted from 's (1972), revolves around the conflict between college student-turned-gangster Siva and Bhavani, a reputed crime boss mentored by the politician Machiraju.

Siva explores the concepts of student exploitation by and the impact of. Varma's script was based on his experiences as a student at Siddhartha Engineering College in. Wrote the dialogue. Composed Siva 's soundtrack and score, and was its cinematographer. And Sattibabu were the film's art director and editor, respectively.

Its began on 16 February 1989, and was completed in 55 working days. Except for three days of shooting in Madras (now ), Siva was filmed in. Produced on a budget of ₹7.5 million, Siva was released on 5 October 1989 to critical acclaim, primarily for its technology and sound design. Although Venkat and Surendra expected the film to have average earnings, it was commercially successful; Siva completed a 100-day run in 22 centres and a 175-day run in five centres. It was screened in the mainstream section of the, held on 19 January 1990. In addition to the, Siva won three: (Varma), and (Bharani). A documentary titled Exploring Shiva after 25 Years was released on the film's silver anniversary; it is the first documentary about a Telugu film.

Siva, which attained, is considered Nagarjuna's breakthrough film. It is credited with the introduction of and new sound recording techniques in Telugu cinema, encouraging filmmakers to explore a variety of themes and make experimental films. For the April 2013 centennial of Indian cinema, included Siva on its list of 100 greatest Indian films of all time.

Its -dubbed version, Udhayam, was also successful. Varma remade the film twice in Hindi with the same title. The, starring Nagarjuna, Amala and Raghuvaran, performed well at the box office, but the, with and, did not. Contents. Plot Siva, a student, comes to Vijayawada from a nearby town to pursue his education.

• Movie list of all the movies acted by sivakarthikeyan / siva karthikeyan - Marina, Manam Kothi Paravai, 3, kedi billa killadi ranga, Ethir neechal, varuthapadatha valibar sangam, Maan Karate, Taana.
• Souryam, co-starring Gopichand along with Anushka Shetty was Siva's directorial debut. The following year, Siva.

Shiva (born 10 December 1982) is an Indian film actor who has featured in Tamil language films, and had previously been a radio jockey with Radio Mirchi. Acting mainly in comedy films, he rose to fame following his performances in the Venkat Prabhu directorials Chennai 600028 and Saroja, before also featuring in Thamizh Padam.

He lives with his brother Sharath's family, and enrolls in the VAS College of Arts and Sciences. Although Sharath and his daughter Keerthi get along well with Siva, his wife considers him a financial burden. Siva befriends a group of students and falls in love with Asha, sister of the honest police inspector Venkat. The college's (unopposed) student-union president, J. Durga Rao (known as J. D.) is the lowest rung in a gang ladder reaching through the gangster Ganesh to Bhavani, a crime boss.

Bhavani uses the network to support his mentor Machiraju, a politician. Is arrested many times, Bhavani continues to bail him out. Teases Asha on campus, Siva attacks him with a bicycle chain; a rivalry then develops between him and Ganesh.

The incident encourages Siva's friends to ask him to stand for the student-union presidency, but he wants them to nominate Naresh (one of the group) instead. Ganesh's attempts to pacify Siva fail, and Bhavani learns about him. He considers Siva a potential replacement for J.

D., whose weakness annoys him. Naresh is fatally assaulted by J. And Bhavani's henchmen, and is taken to hospital. Siva retaliates, infuriating Bhavani. When Siva's friends attend a wedding, they are attacked by Ganesh and others.

One of Siva's friends, Malli, is murdered and Siva swears revenge. Sensing a risk to Sharath's family after an attempt on Keerthi's life, Siva leaves their house and moves into his friend Chinna's hostel. He agrees to contest the student-union presidential election. Bhavani cheats labour-union leader Krishna Reddy, who changes his allegiance to Siva. Around this time, Asha and Siva marry. Bhavani begins attacking and murdering Siva's close aides, and Siva ensures that Sharath relocates to as a part of his job. Siva attacks Bhavani's henchmen, and helps Venkat arrest Ganesh.

Machiraju sees Siva as a potential replacement for Bhavani, and stops supporting the latter. Bhavani learns about Siva's relationship to Sharath, and kidnaps Keerthi. Ganesh appears in court, and an arrest warrant is issued for Bhavani.

Insulted and humiliated, Bhavani kills Keerthi and Machiraju. Siva and Bhavani later duel on a terrace. Bhavani commits suicide, and Siva walks out as Asha and Venkat watch in dismay. as Siva. as Asha. as Bhavani.

as Sharath. as Machiraju. as Viswanadham. as Venkat.

as Nanaji. as Malli. as J. Durga Rao (J.

D.). as Chinna. as Naresh.

Viswanath as Ganesh. Sushma as Keerthi. as Malli's mother. as Bhavani's henchman.

as Yadagiri. Bhanu Prakash as the college principal Production Development After he graduated with a degree in civil engineering from Siddhartha Engineering College in, opened a video-rental shop in. Noting his son's interest in films, Penmatsa Krishnamraju (a former sound recordist for ) helped Varma join the teams of (1987) and (1988) as an assistant director. Varma befriended actor, and filmmakers Akkineni Venkat and Yarlagadda Surendra.

He presented his script for to them. When Nagarjuna rejected it, Varma presented another script based on his life as a student in Vijayawada. He earlier narrated this script to filmmaker who suggested few changes because of its serious tone. Varma watched Rao's (1986) and backed out after understanding Rao's point of view. When Rao Gari Illu was nearly completed, Varma asked co-director to join him.

He approached to write the dialogue after observing his work in (1985) and (1987). Bharani found the plot (as described by Varma) similar to those of ' films. Varma rejected Bharani's comic version, and asked to rewrite it as a crime drama. Although Bharani's usual fee was ₹25,000, he received ₹35,000 for Siva. And, who later pursued career as filmmakers, joined the film's crew as assistant directors.

Venkat and Surendra produced Siva under their banners of and SS Creations, respectively. The production began in February 1989. Varma wanted to compose the film's soundtrack and score, since Keeravani had assisted on Rao Gari Illu. As both were inexperienced, Keeravani suggested that Varma choose a more seasoned technician and was signed instead., and Sattibabu were the film's director of photography, art director and editor, respectively. Gopala Reddy was inspired by ' work in 's, (1972). Casting Siva is Nagarjuna's 17th film as an actor.

Varma found him the only actor who could understand his perspective. Nagarjuna and Varma had discussed astronomy and realised that they shared similar sensibilities. That, and Varma's passion for and dedication to films, prompted Nagarjuna to work with him., who worked with Nagarjuna in (1990), was chosen as the female lead. Siva was the first film in her career where the script was explained shot by shot.

When Varma approached to dub Amala's portions, she agreed to dub for Amala only after watching about three reels of footage. Varma chose to play the local crime boss, Bhavani.

Varma wanted him to underplay the character, which was based on real life. Before accepting the role, Raghuvaran studied the mannerisms and lifestyles of mob leaders and criminals in for 20 days. Varma wanted to name the characters played by Nagarjuna and Raghuvaran as Bhavani and Siva respectively. At Nagarjuna's request, he reversed the names.

Varma chose newcomers, and to play J. D., Chinna, and Naresh after auditioning them at Annapurna Studios., one of Varma's assistant directors, played a comic role of a server in the college canteen.

He recommended Varma to cast Sushma for Keerthi's role. Was initially supposed to play J. D., but the role went to Chakravarthy. Varma met the latter on the film's sets and asked him to perform a scene of his choice. Despite an unsuccessful screen test, Varma selected Chakravarthy after a meeting on the next day after observing the depth in his expression. Seasoned actors such as, and Saichand played supporting roles. Bharani agreed to play Bhavani's assistant, Nanaji, at Varma's insistence.

Producer Akkineni Venkat made a cameo appearance as one of Bhavani's clients, and Siva Nageswara Rao dubbed his portion. Was cast as Bhavani's henchman. RGV's ingenuity lies in his understanding of human nature and I got a first-hand experience while filming the scene where I betray Gollapudi Maruthi Rao. Before shooting that scene, RGV told me that I should feel guilty for betraying my boss because every person, however cruel might be, has a humane side. So, all I did was gulp and RGV was impressed with my expression. — about his experience with Varma during filming Varma read about in, and enquired about the possibility of a similar camera in India.

After learning that steadicam was available in Chennai for four years and was already obsolete, Varma decided to use it despite Gopala Reddy's apprehension. Varma chose over and Deenpal to assist Gopala Reddy with the steadicam. Began on 16 February 1989, and in 55 working days. Except for three days in Chennai, the film was shot in. The scenes of the protagonist's college life were filmed at Keyes High school, near.

A school wall was demolished and a gate was repaired for the film's opening scene. Raghuvaran was carried away during the shoot of few action sequences and slapped Brahmaji for nearly six times in a row.

To avoid such issues in the case of murder scenes, Varma decided to complete few of them by using plain close-ups of the victims. Sudhakar's murder scene was filmed near in. Gopala Reddy and Ellore placed a camera in a bag and ran behind him for a shaky effect. In the cycle-chain scene in which Siva uses a cycle chain to fight with J. D., the hand pulling the chain was Ellore's; in the next shot, Nagarjuna is shown holding the chain.

The scene in which Naresh is killed near his home was filmed in the streets of Vengala Rao Nagar. The cycle chase scenes were filmed in and the slums behind. The bus chase scene was shot in Yusufguda. The film's climax was filmed at the Swapnalok complex in, and Bhavani's suicide was filmed on a set at Venus Studios in Chennai. Several romantic scenes with Nagarjuna and Amala were initially filmed at Ushakiron Movies in Secunderabad. Dissatisfied with the results, Varma reshot them at the Osman Ali House. Choreographed the songs, and 'Anando Brahma' was filmed at the in.

The film crew had to crawl into the caves, making Siva the first Telugu film shot in its interiors. The remaining songs were filmed on sets at Annapurna Studios. Srinivasa Rao filmed his scenes in one day. The fights, choreographed by Varma, featured hand-to-hand combat and attacks with hooks as he was trained in. Themes and influences. Siva 's plot was adapted from (1972), produced and directed by and starring. Siva explores the exploitation of students by against a backdrop and the impact on them of.

It also focuses on politics and betrayal in the scene where Bhavani murders Machiraju and his enemy Viswanadham. As a student, Varma observed and participated in gang wars and student politics besides analysing the impact of a gangster's lifestyle and body language on students. Those experiences inspired him to begin writing Siva. Most of the characters, including Bhavani, were inspired by real life. Bhavani was based on Radha, an actual crime boss with a reputation for violence in; Bhavani, like Radha, is also a woman's name.

Siva's character was comparatively fictitious whom Varma considered an 'ideal person' making the society 'too dramatic'. Siva was partially based on Varma's friend, Golla Ravi, who lived in. Assistant director found the film's story similar to 's (1985). Varma said that Arjun was an inspiration for Siva, since 's title character in Arjun was a hero who 'does not bend to forces larger than himself'.

Apart from Arjun, Varma was also inspired by 's (1983) and Dilip Shanker's Kaal Chakra (1988). The basic plot of 's (1972) was adapted by Varma for Siva. In Way of the Dragon, Lee comes from to work in a Chinese restaurant in and fights local gangsters who try to intimidate the owners; this leads to a rivalry with a crime boss (played by ).

In Siva, Nagarjuna comes from a nearby town to Vijayawada to further his education, fights gangsters and develops a rivalry with Raghuvaran. While Lee and Norris fight at the at the climax of Way of the Dragon, Nagarjuna and Raghuvaran duel on a building terrace in Siva. In addition to Way of the Dragon, Varma adapted scenes from a number of other films. Malli's mother slapping a police inspector for failing to save him was inspired by Steven Spielberg's (1975), and the cycle chase scene was based on a similar scene in Arjun. A scene in which goons demand donations to build a temple for was from Kaal Chakra. Although Varma wanted to film a fight between Nagarjuna and Chakravarthy during a football match (based on a similar scene in 1978's ), Venkat was indifferent to the idea. Music Siva.

Released 1989 Recorded 1989 Length 28: 20 Language Ilaiyaraaja chronology (1989) Siva (1989) (1989) The five-song soundtrack album and background score of Siva were composed by Ilaiyaraaja, with writing the lyrics of 'Anando Brahma', 'Enniyallo', and 'Kiss Me Hello'. Wrote the lyrics for the remaining two songs: 'Botany' and 'Sarasalu'., and were the singers. Due to a strike in Madras, Ilaiyaraaja and Varma completed the background score in Mumbai. The producers suggested Varma to use stock tunes instead for the score.

Nagarjuna noticed this and asked them to provide what Varma asked for, and offered to pay the additional expenses incurred if any. For an action scene, Ilaiyaraaja used moving string music; when Varma asked why, he answered: 'They have come here to study and they are fighting.

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So I just felt sad for them'. Varma was impressed with Deepan Chatterjee's work in Sindhoora Puvvu (1988) and recruited him as Siva 's., who later composed the music for (1999) and (2002), worked with Ilaiyaraaja on Siva as a violinist. The soundtrack was successful, and Chatterjee's sound design was critically acclaimed. Varma dedicated the background score of his (2014), composed by, to Ilaiyaraaja.

Adapting the background score of the cycle-chase scene in Rowdy, Varma said that his main interest was 'to bring back this composition to express the great idea of the genius Ilaiyaraaja's 1989 soundtrack (of Siva) to 2014'. Track list No. Title Lyrics Artist(s) Length 1. 'Sarasalu', 05:07 2. 'Botany' Sirivennela Sitaramasastri, 04:26 3. 'Anando Brahma' S.

Balasubrahmanyam, 04:29 4. 'Enniyalo' Veturi Sundararama Murthy S. Balasubrahmanyam, K. Chithra 04:18 5.

'Kiss Me Hello' Veturi Sundararama Murthy S. Balasubrahmanyam, K. Chithra 04:30 Total length: 28:20 Release and reception Siva was produced on a budget of ₹7.5 million. Venkat and Surendra retained the distribution rights for Nizam, Vishakhapatnam and the and regions.

Released on 5 October 1989, it was critically acclaimed, with major praise directed towards its usage of technology and sound design. The distributors were concerned about the film's violence, saying that it would alienate women and families, whom the film industry believed were the majority of the audience. Although Venkat and Surendra expected that the film would have average earnings, Siva was a commercial success and earned ₹10 million in the Nizam region alone (a first in Telugu cinema).

In addition to ₹50,000, Varma received five percent of Siva 's profits. The film had a 100-day run in 22 centres and a 175-day run in five centres. It was screened in the mainstream section of the, held on 19 January 1990 at the Empire Theatre in Kolkata. For the April 2013 centennial of Indian cinema included Siva on its list of 100 greatest Indian films of all time, calling it a 'completely new take on student politics and the ideologies driving it' and saying that the film's ideas 'found a reflection in many university elections during a later stage'. The Tamil remake rights to Siva were initially sold for ₹100,000. After the film's release, Venkat and Surendra dubbed it into Tamil as Udhayam and sold its distribution rights for ₹8.5 million.

Released on 12 January 1990 in 24 centres, Udhayam was commercially successful and earned more than ₹20 million. Nagarjuna's father advised Varma to place an advertisement thanking the audience for the film's success. Varma opposed it, believing that a film's success should be credited to the production team and its failure attributed to the director. When Varma's second film, (1991) under-performed at the box office, Siva 's success was considered accidental. In addition to the, Siva won three: (Varma), and (Bharani).

Remakes Siva was remade by Varma in as in 1990, and was Nagarjuna's acting debut in Hindi cinema. It was the last Hindi film with Amala in a lead role. Minor changes were made to the remake's cast and crew. All the songs in the Telugu version were used unchanged except for 'Botany', which was reshot at in. Telugu filmmaker was cast as one of Nagarjuna's friends in the remake. Jagannadh wanted to assist Varma and approached him for an opportunity.

Varma insisted Jagannadh to act and he obliged, feeling that this experience would teach him something. Produced in association with Atluri Purnachandra Rao on a budget of ₹11.5 million, Shiva was released on 7 December 1990 and was successful in Mumbai and Kolkata. During the production of (2005), Varma planned to remake Siva. The second remake, also entitled, featured and as the characters played by Nagarjuna and Amala in the original. Unlike Siva, the protagonist in the second remake is an honest man who joins the as a new recruit; the cycle-chain scene and Raghuvaran's character were omitted.

Shiva received negative reviews; Sukanya Verma of wrote that the film 'dared to ridiculously rest on the incapable shoulders of a non-acting cast', and nastiness was 'defined as a scowling ogre'. Director acknowledged Siva as a source of inspiration for his 2006 film. Documentary, digitisation, and sequel plans In September 2014, Siva was digitally remastered for theatrical release.

Supriya Yarlagadda of Annapurna Studios said that the decision to remaster and digitise was made after observing the challenges in storing and preserving old film prints. The process (carried out in Mumbai) took a year, and the film's colour and sound quality were enhanced to meet current standards. At the time, Varma said that he would release a documentary on the making of the film entitled Exploring Shiva after 25 Years. The first documentary based on a Telugu film, it provided a 'holistic view of the film' and featured interviews with the cast and crew and segments on its sound and filming locations. The documentary was released on 5 October 2014, coinciding with Siva 's silver anniversary. A event was held on 7 October 2014 in Hyderabad, where Nagarjuna announced that Siva 's digitised version would be released on 17 October 2014 on nearly 100 screens.

In April 2015, Varma told that the digitised release was postponed until 15 May because of restoration delays. In September Nagarjuna said that a sequel to Siva would be a viable alternative to a digitised version, and proposed a film about Siva, Asha, and their two sons. Advising Varma to develop a script, he asked the director to cast Amala,. The sequel would reportedly be produced by Annapurna Studios. Legacy Influence on film personalities.

I still recall Varma okaying my first shot, though I forgot to utter my line. He was of the opinion that I conveyed what I needed to, through a gesture. Post the shot, he came to me and said that it’s better I forget putting pen to paper, only for me to realise later that I would become a busy actor. —Bharani during the film's silver jubilee. Siva, which attained in Telugu cinema, is one of the first Telugu films produced after the migration of Telugu film industry from Madras to Hyderabad to feature characters speaking the dialect.

The film made Nagarjuna a superstar in Telugu cinema; it changed his career, and earned him a reputation for encouraging new directors. Nagarjuna considered Siva a milestone in his personal life as well since he and Amala, who were in a relationship during the film's shoot, decided to marry after its completion. According to filmmaker and writer Pulagam Chinnarayana, Siva divided Telugu cinema into two eras: before and after the film.

With Siva, Varma was credited with the introduction of steadicams and new sound recording techniques in Telugu films. Within a year of the film's release, more than ten steadicams were imported into India. Siva attracted the young audience during its theatrical run, and its success encouraged filmmakers to explore a variety of themes and make experimental Telugu films.

Bharani broke through as an actor and dialogue writer with the film. Chakravarthy, Jithendra and Ramjagan achieved success with Siva, and the former two adapted J. And Chinna as screen names. Kannada actor and filmmaker reworked the narrative of (1995) when he found the previous version similar to Siva. Telugu filmmaker understood the importance of heightening tension in action sequences, and the impact created by proper use of sound after watching Siva., and Praveen Sri were inspired by Siva to pursue careers as directors; Sri assisted Ram Gopal Varma before he made his directorial debut with (2010). Music director was inspired by Ilaiyaraaja's work in Siva, and wanted to work with Varma after he graduated.

On the rise of antisocial-element-based scripts in Tamil cinema, trade analyst Sreedhar Pillai said in May 2002 that Siva 's Tamil-dubbed version ( Udhayam) was the 'forerunner' of city-based crime films. Tamil actor was 'mesmerised' as a child by Siva, admiring Nagarjuna and carrying a cycle chain in his schoolbag. About the impact of (2015) on Indian cinema, said that regional films can gain national acceptance for their content and cited the success of Siva and (1992) as examples.

In March 2016, said that he admired Nagarjuna after seeing Siva and (1989) and found working with him in (2016) 'a great chance to know him.' In popular culture The cycle-chain scene became popular, with people telling Varma that they broke a cycle chain after seeing Siva; the director called them the 'ultimate example of how imagination can take over and become a reality in time'.

As of 2014, the chain used in the film is owned by Chakravarthy. Film-poster designers Anil and Bhanu said that posters should be designed to make a subconscious impact on the viewer, citing the title logo of Siva (with Nagarjuna and the cycle chain) as an example. Inspired by Varma's work in Siva, Rajamouli composed the action sequence during the intermission of his directorial debut (2002), and followed the shot division of the cycle-chain scene for the same.

Chakravarthy agreed to play the antagonist in Naga Chaitanya's acting debut, (2009), and said that its makers are 'trying to get JD of Shiva who actually ran away mid way from college'. And other reviewers noted similarities between Josh and Siva, which Chaitanya called a 'coincidence'. Chaitanya's films, (2011)—produced by Varma—and (2014), were noted for similarities to Siva.

Siva was parodied in several films such as (2006), (2011), (2011) (also directed by Varma), and (2012). Amala listed Siva with (1987), (1987), (1988), and (1991) as her most memorable films. Geethika Chandrahasan Sudip of The Hindu listed Siva for the letter S in the July 2015 'ABCD of Telugu cinema'. In August 2015, Pooja Darade of The Times of India included the film on her list of 'Telugu movies one must watch before dying'. Fahad Usmani of The Hindu compared Siva to (1957), (1975), (1987), (1990), and (1990), noting that their antagonists became more popular than their heroes. Rajadhyaksha, Ashish; Willemen, Paul (1998) 1994.

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(2014). (2014). (2014).

(2015). (2016).

(2016). (2016). (2016). (2017). (2018). (2019).

(TBA). (TBA) Written and produced.